She’s getting ready to escape the touring life for film school in New York.
CARLA GUGINO NUDE ROADIES DRIVER
The next scene takes place in one of the tour busses, as Kelly Ann (Imogen Poots) rides alongside driver Gooch (Luis Guzman), who begins to wax rhapsodic about Bob Dylan, who he once toured with. The groupie’s father turns out to be a local concert promoter. Shelli (Carla Gugino), the production manager, comes into the room, letting Bill know about trouble that’s brewing – the lead singer’s kid is a terror, the show in Philadelphia has been cancelled because of a leaky ice rink. The episode begins with Bill (Luke Wilson), the tour manager, having hotel-room sex with a young groupie (if groupie is an appropriate term for a woman who sleeps with a tour manager.) The dialogue between them is pretty predictable, turning on Bill’s self-consciousness about being in his 40s. This isn’t quite fair: What’s wrong with a show that concentrates on the people we don’t normally see? Some critics have dissed the show for focusing on the roadies and stage crew so much that we never see the group they labor for. With a string of disappointing films behind him, he’s could use a comeback as badly as audiences could use a show that allows them to forget about mass shootings and political name-calling for an hour or so. Crowe created the show, and wrote and directed the first episode, so there’s a lot riding on it for him. After the failure of HBO’s “Vinyl,” the announcement of his new show, “Roadies,” which made its debut on Showtime last night, seemed like perfect timing. Given the warm view of the rock ‘n’ roll life in the groupie chronicle “Almost Famous,” and the romantic idealism in “Say Anything,” filmmaker and former music journalist Cameron Crowe seems like the perfect man for his job.
CARLA GUGINO NUDE ROADIES SERIES
With many prestige shows built on gore (“Game of Thrones,” “Preacher”) or cynicism (“Veep,” “Billions”), a series with a more benign view of human nature, and limited amounts of blood, could actually come off as daring. Enough with intensity - it’s a perfect time for a smart television series that acts as a smart means of escapism. With the bitter pitch of national politics, the screaming of social media, proud displays of bigotry, and constant threat of violence in American life right now, a lot of people are ready for a breather.
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